|
| |
|
|
Trial as a Theatre - Milada Horáková Trial and its Literary and Theatre Adaptations
Konvalinková, Veronika ; Heczková, Libuše (advisor) ; Bílek, Petr (referee)
This diploma thesis deals with the theatricality of Milada Horáková and company trial and its theatrical reflections. In this thesis, the political trial is regarded as an ideological fiction on the grounds of the ritual and theatrical character. The dramas, which are inspired with this trial, are interpreted in the following chapters. First of them, it deals with Pařeniště by E. F. Burian in the context of the socialist realism, which was put on the stage in a short time after this trial. It paid attention to re-putting on the stage in 2008 as well. The last part of this thesis deals with contemporary productions, which are inspired with this trial (Horáková, Gottwald by Karel Steigerwald and opera Tomorrow will... by Aleš Březina and Jiří Nekvasil), which depict absurdity and bizzare atmosphere of this trial.
|
|
|
How Language Possess Mind - Quantitative Content Analysis of the Rhetoric of ANO, SPD and IvČRN Political Movements in Relation to Totalitarian Language of the Third Reich
Ligas, Aleš ; Franěk, Jakub (advisor) ; Perottino, Michel (referee)
This thesis deals with the influence of the European Migration Crisis in 2015 on the number of uses of selected features of totalitarian language in the rhetoric of ANO movement chairman Andrej Babiš, SPD chairman Tomia Okamura and IvČRN initiative leader Martin Konvička. This work aims to use new quantitative methods to examine over time the frequency and structure of the characters used in totalitarian language based on the concept of politics of eternity of the American historian Timothy Snyder. The occurrence of signs of totalitarian language was monitored on the social network Facebook in the period 2013-2017. The results of the analysis show an increase in the use of features of the totalitarian language with the onset of the migration crisis. In the end, a comparison of the monitored political actors and a contextual interpretation of the findings is given.
|
|
|
From Linguistic Aberration to the Subversion of Power: Literary Code-switching and Code-mixing as Tools for Upsetting the Language of Power and Expressing Expatriation
Zelenková, Alena ; Jirsa, Tomáš (advisor) ; Pokorný, Martin (referee)
This thesis explores literary code-switching, i.e. multilingual aspects within a single speech, as a key polyphonic structural element in the selected works. First, it analyzes Gloria Anzaldúa's Borderlands: The New Mestiza = La Frontera (1987) as a work, where the author seeks to establish a literary tradition that would reflect the life in borderlands and the given community through a new language. Secondly, the language of photography and multilingual speech patterns in W. G. Sebald's The Emigrants (1992) are considered as vital elements of the authenticity play. The following chapter deals with Franz Kafka's short stories, where gestures form an essential part of, if not the whole stories, and determine the fragmentary nature of such writing. Finally, the importance of language of power, the discourse of social realism altogether with their emergence into private and intimate discussions through repetitions and variations is commented upon in Václav Havel's play The Garden Party (1963).
|
|
|
Trial as a Theatre - Milada Horáková Trial and its Literary and Theatre Adaptations
Konvalinková, Veronika ; Heczková, Libuše (advisor) ; Bílek, Petr (referee)
This diploma thesis deals with the theatricality of Milada Horáková and company trial and its theatrical reflections. In this thesis, the political trial is regarded as an ideological fiction on the grounds of the ritual and theatrical character. The dramas, which are inspired with this trial, are interpreted in the following chapters. First of them, it deals with Pařeniště by E. F. Burian in the context of the socialist realism, which was put on the stage in a short time after this trial. It paid attention to re-putting on the stage in 2008 as well. The last part of this thesis deals with contemporary productions, which are inspired with this trial (Horáková, Gottwald by Karel Steigerwald and opera Tomorrow will... by Aleš Březina and Jiří Nekvasil), which depict absurdity and bizzare atmosphere of this trial.
|
|
|
Language nad Propaganda in Mladý Svět Magazine until 1989
Mrzenová, Tereza ; Holanová, Radka (advisor) ; Janovec, Ladislav (referee)
Our diploma thesis was concerned with language and propaganda in Mladý svět weekly to 1989. The objective of our work was not only a complex text analysis but also analysis of linguistic devices in terms of propaganda. The task was to analyse linguistic devices of selected text corpuses, specifically always of the introductory spread of the first issue in that particular year from 1959 to 1989. The objective was to find those linguistic devices that were being used in propaganda, sort them according to specific linguistic areas, point out myths that the propaganda created and show how propaganda used language to influence the recipient. Our work consists of a theoretical part and a practical part. The theoretical part deals with the overall historical context of censorship functioning in years 1959-1989. Later on, it gives an overview of the young and children's magazines market. In the next chapter, we give general characteristics of propaganda based on specialized publications. One chapter deals with the way the young perceived propaganda. The last chapter involves the language and propaganda, which also draws from specialized publications. We deal with the language of newspaper reporting and linguistic devices, which the propaganda may have used; methods of influencing the recipient; and using...
|
guest ::
